The term "primer" - used both in movies on film and music on tape - speaks both about the end and the beginning of things, the edge and the origin. The fall, the disappearance as well as the opening, the appeal.

The tiny beginning sets the stage for the pre-movement. The pre-movement of anything that can move at a given time: from feelings to stones.

This is the moment of "just-before-it-moves": an initial acceleration that is barely perceptible and concerning which it is better to remain vigilant. It is also at this time that one must decide.
There is no play on words in saying that we have found our intimate rationale in the approach towards bodily movement from this small beginning.

The dance finds its areas of incarnation and contaminates the territories it touches. Beyond the body, these areas become choreographic through the design of the systems and the composite perception that is produced there.

n + n corsino