Interactive Cinema-Concert for five performers: two actors, a sound effects technician, an accordionist and an editor.
Artist in residence on the [ars] numerica digital stage from 20 May to 31 June 2009
This film creates its own soundtrack, performed by the two actors -the sound effects technician and the musician- who breathe movement into the pictures.

Reacting to certain parameters of music or voice, the film accelerates, at times in a burlesque manner,  or stretches slowly when the pace slows down, giving the characters on the screen periods of uncertainty, hesitation, or forgetfulness. The cast of the film, also visible on stage, develop an interactive, parallel game with their own images. Near them, the editor accompanies the changes in cast and edits the film in real time. Thus a different film is created for each performance, a different film which, while maintaining its narrative continuity, is subtly differ in some details of its story.

Around the musical theme of the tarantella, the accordionist Marc Perrone and composer Andrea Cera, intermingle traditional music and electronic sounds.

Design and production: Marie-Laure Cazin
Cast: Laurent Petit, Sarah Pratt
Programming, sound: Pierre Gufflet
Editing: Mirjam Strugalla
The project is designed in close collaboration with musicians Marc Perrone (diatonic accordion), Andrea Cera (electro acoustic music) and the editor Mirjam Strugalla


Production: TransFictions
Coproduction: [ars]numerica, Atopic, La Filature Scène nationale de Mulhouse, le Fesnoy- Studio National des arts contemporains
In partnership with the CITU (Université Paris 1 and 8), ECNC Centre des écritures contemporaines et numériques, Mons.

Project supported by Bourse Bouillon d’un rêve, multimedia assistance Pierre Schaeffer SCAM 2007, model assistance Dicréam 2007, production assistance Dicréam 2008
Created in 2009, public presentation scheduled at the Filature, June 2009